{"id":89,"date":"2022-06-15T09:19:02","date_gmt":"2022-06-15T09:19:02","guid":{"rendered":"http:\/\/karthicklakshmanan.com\/index.php\/docs\/raag\/raag-yaman\/introduction\/"},"modified":"2022-06-15T10:40:11","modified_gmt":"2022-06-15T10:40:11","slug":"introduction","status":"publish","type":"docs","link":"https:\/\/karthicklakshmanan.com\/index.php\/docs\/raag\/raag-yaman\/introduction\/","title":{"rendered":"Introduction"},"content":{"rendered":"\n<p>Yaman emerged from the parent musical scale of\u00a0Kalyan. Raag Yaman is considered to be one of the most fundamental and basic ragas in\u00a0Hindustani\u00a0tradition. Yaman or Kalyan is an ancient Indian (Bharatiya) raag which was renamed by\u00a0Ameer Khusro (1253\u20131325)\u00a0from Kalyan to Yaman, Yaman raag originates from the Kalyaan Thaat which makes it aasreya raag of Kalyaan Thaat. These attempts were to take the Bhartiya legacy to the name of Persia as an example Bhartiya numerals are known as Arabic numerals.<\/p>\n\n\n\n<p>Kalyan is described by\u00a0Meshakarna(1570) as: &#8220;lord in white garments and pearl necklace on a splendid lion-throne, under a royal umbrella, fanned with a whisk, chewing betel&#8221;<\/p>\n\n\n\n<p>This raga promotes romanticism, It sounds romantic.<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>Thaat <\/td><td>Kalyan<\/td><\/tr><tr><td>Equivalent<\/td><td>Kalyani \/ Lydian mode<\/td><\/tr><tr><td>Performing Time<\/td><td>Evening | first quarter of the night.- 7:00PM -10:00PM<\/td><\/tr><tr><td>Arohana<\/td><td>Ni R Ga\u00a0Ma&#8217;\u00a0Dha Ni Sa<\/td><\/tr><tr><td>Avarohana<\/td><td>Sa&#8217; Ni Dha Pa\u00a0Ma&#8217;\u00a0Ga Re Sa<\/td><\/tr><tr><td>Pakad<\/td><td>ni-Re-Ga-\/Re-Ga\/ni-Re-Sa\/Pa-Ma#-Ga-Re\/ni-Re-Sa&#8217; (Ma is teevr)<\/td><\/tr><tr><td>Vadi | Samvadi<\/td><td>Ga | Ni<\/td><\/tr><tr><td>Kana swar<\/td><td>(Ga)Re, (Re)Sa<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>Tonal movements of the notes mostly reflect zigzag motion\u00a0<em>with gap of one or several notes<\/em>\u00a0usually that prefer reverse order very often like: DNS&#8217; mDN GmD RGm N,GR or MDNS&#8217; GmDN RGmD N,RGm D,N,GR etc . Ideally, yaman should not use PR combination but can use P~R showing colour of m or G while gliding from P to R, for PR is one of the specific identification of raag kalyaan.<\/p>\n","protected":false},"featured_media":0,"parent":87,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","doc_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Introduction - KaLabs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/karthicklakshmanan.com\/index.php\/docs\/raag\/raag-yaman\/introduction\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Introduction - KaLabs\" \/>\n<meta property=\"og:description\" content=\"Yaman emerged from the parent musical scale of\u00a0Kalyan. Raag Yaman is considered to be one of the most fundamental and basic ragas in\u00a0Hindustani\u00a0tradition. Yaman or Kalyan is an ancient Indian (Bharatiya) raag which was renamed by\u00a0Ameer Khusro (1253\u20131325)\u00a0from Kalyan to Yaman, Yaman raag originates from the Kalyaan Thaat which makes it aasreya raag of Kalyaan Thaat. These attempts were to take the Bhartiya legacy to the name of Persia as an example Bhartiya numerals are known as Arabic numerals. Kalyan is described by\u00a0Meshakarna(1570) as: &#8220;lord in white garments and pearl necklace on a splendid lion-throne, under a royal umbrella, fanned with a whisk, chewing betel&#8221; This raga promotes romanticism, It sounds romantic. Thaat Kalyan Equivalent Kalyani \/ Lydian mode Performing Time Evening | first quarter of the night.- 7:00PM -10:00PM Arohana Ni R Ga\u00a0Ma&#8217;\u00a0Dha Ni Sa Avarohana Sa&#8217; Ni Dha Pa\u00a0Ma&#8217;\u00a0Ga Re Sa Pakad ni-Re-Ga-\/Re-Ga\/ni-Re-Sa\/Pa-Ma#-Ga-Re\/ni-Re-Sa&#8217; (Ma is teevr) Vadi | Samvadi Ga | Ni Kana swar (Ga)Re, (Re)Sa Tonal movements of the notes mostly reflect zigzag motion\u00a0with gap of one or several notes\u00a0usually that prefer reverse order very often like: DNS&#8217; mDN GmD RGm N,GR or MDNS&#8217; GmDN RGmD N,RGm D,N,GR etc . 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Thaat Kalyan Equivalent Kalyani \/ Lydian mode Performing Time Evening | first quarter of the night.- 7:00PM -10:00PM Arohana Ni R Ga\u00a0Ma&#8217;\u00a0Dha Ni Sa Avarohana Sa&#8217; Ni Dha Pa\u00a0Ma&#8217;\u00a0Ga Re Sa Pakad ni-Re-Ga-\/Re-Ga\/ni-Re-Sa\/Pa-Ma#-Ga-Re\/ni-Re-Sa&#8217; (Ma is teevr) Vadi | Samvadi Ga | Ni Kana swar (Ga)Re, (Re)Sa Tonal movements of the notes mostly reflect zigzag motion\u00a0with gap of one or several notes\u00a0usually that prefer reverse order very often like: DNS&#8217; mDN GmD RGm N,GR or MDNS&#8217; GmDN RGmD N,RGm D,N,GR etc . 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