1.0KaLabshttps://karthicklakshmanan.comkarthickhttps://karthicklakshmanan.com/index.php/author/karthick/rich600338<blockquote class="wp-embedded-content" data-secret="dZ6qkAYGGB"><a href="https://karthicklakshmanan.com/index.php/docs/raag/raag-yaman/introduction/">Introduction</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://karthicklakshmanan.com/index.php/docs/raag/raag-yaman/introduction/embed/#?secret=dZ6qkAYGGB" width="600" height="338" title="“Introduction” — KaLabs" data-secret="dZ6qkAYGGB" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); </script> Yaman emerged from the parent musical scale of Kalyan. Raag Yaman is considered to be one of the most fundamental and basic ragas in Hindustani tradition. Yaman or Kalyan is an ancient Indian (Bharatiya) raag which was renamed by Ameer Khusro (1253–1325) from Kalyan to Yaman, Yaman raag originates from the Kalyaan Thaat which makes it aasreya raag of Kalyaan Thaat. These attempts were to take the Bhartiya legacy to the name of Persia as an example Bhartiya numerals are known as Arabic numerals. Kalyan is described by Meshakarna(1570) as: “lord in white garments and pearl necklace on a splendid lion-throne, under a royal umbrella, fanned with a whisk, chewing betel” This raga promotes romanticism, It sounds romantic. Thaat Kalyan Equivalent Kalyani / Lydian mode Performing Time Evening | first quarter of the night.- 7:00PM -10:00PM Arohana Ni R Ga Ma’ Dha Ni Sa Avarohana Sa’ Ni Dha Pa Ma’ Ga Re Sa Pakad ni-Re-Ga-/Re-Ga/ni-Re-Sa/Pa-Ma#-Ga-Re/ni-Re-Sa’ (Ma is teevr) Vadi | Samvadi Ga | Ni Kana swar (Ga)Re, (Re)Sa Tonal movements of the notes mostly reflect zigzag motion with gap of one or several notes usually that prefer reverse order very often like: DNS’ mDN GmD RGm N,GR or MDNS’ GmDN RGmD N,RGm D,N,GR etc . Ideally, yaman should not use PR combination […]